From the Book - Second edition.
Part I. Getting started. Introduction ; How to listen : loudspeakers, headphones, listening rooms ; Understanding microphones
Part II. Recording orchestra. The orchestra and its various iterations ; The hall as a recording venue ; The main microphones ; Recording strings ; Recording woodwinds, brass and percussion ; Recording harp, piano, celeste and organ
Part III. Variations on a theme. Recording chorus
Recording concertos ; Recording solo voice and orchestra
Part IV. The recording session. The role of the producer in classical music recording ; How to carry out a successful recording session ; Live concerts, live opera and productions with video
Part V. Other classical music ensembles. Recording wind symphony and brass band ; Recording chamber orchestra ; Recording string quartet ; Recording woodwind and brass quintets ; Recording piano with other instruments ; Recording solo piano ; Recording classical crossover projects
Part VI. Post production. Editing ; Mixing ; Final assembly and mastering
Part VII. Multi-channel recording and mixing. How to listen in surround sound ; Recording and mixing for 5.1 surround sound immersive/3D content ; Film score recording and mixing
Part VIII. Case studies. Recording orchestra
case studies ; Recording chamber music